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"Striking Images, Iconoclasms Past and Present "

Author: Stacy Boldrick
Publisher: Routledge
ISBN: 1351547690
Category : Art
Languages : en
Pages : 254

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Book Description
All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britain?s 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation, Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever ?finished?, or are they simply subject to constant transformation? In dialogue with each other, the essays consider this question and expand the field of iconoclasm - and cultural - studies.

"Striking Images, Iconoclasms Past and Present "

Author: Stacy Boldrick
Publisher: Routledge
ISBN: 1351547690
Category : Art
Languages : en
Pages : 254

View

Book Description
All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britain?s 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation, Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever ?finished?, or are they simply subject to constant transformation? In dialogue with each other, the essays consider this question and expand the field of iconoclasm - and cultural - studies.

Visual Heritage: Digital Approaches in Heritage Science

Visual Heritage: Digital Approaches in Heritage Science PDF Author: Eugene Ch'ng
Publisher: Springer Nature
ISBN: 3030770281
Category : Computers
Languages : en
Pages : 550

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Book Description
How we understand our shared and individual heritage, interpret and disseminate that knowledge is increasingly central to contemporary society. The emerging context for such development is the field of heritage science. Inherently interdisciplinary, and involving both the Arts and Humanities, engineering, conservation and the digital sciences, the development of heritage science is a driver for change; socially, economically and technically. This book has gathered contributions from leading researchers from across the world and provides a series of themed contributions demonstrating the theoretical, ethical, methodological and technical methods which lie at the heart of heritage science. Archaeology, conservation, museology, the arts, forensic sciences, and heritage management are represented through collaborative research with specialists in applied technologies including object and terrestrial laser scanning, multi-spectral imaging, visualisation, GIS and 3D-printing. Together, the chapters present important case studies to demonstrate the recent advances and best practise within the discipline, highlighting the value of digital transformation across the heritage community that includes objects, monuments, sites and landscapes spanning two million years of natural and cultural history from all over the world. Visual Heritage: Digital Approaches in Heritage Science is aimed at a broad academic and practice-led readership, which extends across many disciplines and will be of considerable value to scholars, practitioners, and students working within heritage and computer science at all levels. The content, which applies heritage science across two million years of cultural history will be appreciated by a general audience, as well as those wishing simply to explore the vast range of potential technical applications across all the disciplines represented in the book.

Image Testimonies

Image Testimonies PDF Author: Kerstin Schankweiler
Publisher: Routledge
ISBN: 0429786239
Category : Social Science
Languages : en
Pages : 182

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Book Description
Recent political conflicts signal an increased proliferation of image testimonies shared widely via social media. Although witnessing with and through images is not a phenomenon of the internet era, contemporary digital image practices and politics have significantly intensified the affective economies of image testimonies. This volume traces the contours of these conditions and develops a conception of image testimony along four areas of focus. The first and second section of this volume reflects the discussion of image testimonies as an interplay of evidential qualities and their potential to express affective relationalities and emotional involvement. The third section focuses on the question of how social media technologies shape and subsequently are shaped by image testimonies. To further complicate the ethical position of the witness, the final section looks at image testimony at the intersection of creation and destruction, taking into account the perspectives of different actors and their opposed moral positions. With an emphasis on the affectivity of these images, Image Testimonies provides new and so far overlooked insights in the field. It will appeal to students and researchers interested in fields such as Sociology and Social Policy, Media and Communications, Visual Arts and Culture and Middle East Studies.

Cultural Violence and the Destruction of Human Communities

Cultural Violence and the Destruction of Human Communities PDF Author: Fiona Greenland
Publisher: Routledge
ISBN: 135126706X
Category : History
Languages : en
Pages : 198

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Book Description
This volume brings together leading sociologists and anthropologists to break new ground in the study of cultural violence. First sketched in Raphael Lemkin’s seminal writings on genocide, and later systematically defined by peace studies scholar Johan Galtung, the concept of cultural violence seeks to explain why and how language, symbols, rituals, practices, and objects are so frequently in the crosshairs of socio-political change. Recent conflicts in the Middle East, Africa, and Central Asia, along with renewed public interest in the repertoire of violence applied to the control and erasure of indigenous populations, highlights the gaps in our understanding of why cultural violence occurs, what it consists of, and how it relates to other forms of collective violence.

The Image of the Future: Iconoclasm of the images of the future, demolition of culture

The Image of the Future: Iconoclasm of the images of the future, demolition of culture PDF Author: Fred Polak
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages :

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Book Description


Iconoclasm and the Museum

Iconoclasm and the Museum PDF Author: Stacy Boldrick
Publisher: Routledge
ISBN: 0429767242
Category : Art
Languages : en
Pages : 196

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Book Description
Iconoclasm and the Museum addresses the museum’s historic tendency to be silent about destruction through an exploration of institutional attitudes to iconoclasm, or image breaking, and the concept’s place in public display. Presenting a selection of focused case studies, Boldrick examines long-standing desires to deface, dismantle, obscure or destroy works of art and historic artefacts, as well as motivations to protect and display broken objects. Considering the effects of iconoclastic practices on artworks and cultural artefacts and how those practices are addressed in institutions, the book examines changing attitudes to the intentional destruction of powerful artworks in the past and present. It ends with an analysis of creative destruction in contemporary art making and proposes that we are entering a new phase for museums, in which they acknowledge the critical roles destruction and loss play in the lives of objects and in contemporary political life. Iconoclasm and the Museum will be important reading for academics and students in fields such as museum and gallery studies, archaeology, art history, arts management, curatorial studies, cultural studies, history, heritage and religious studies. The book should also be of great interest to museum professionals, curators and collections management specialists, and artists.

The Sociology of Hope

The Sociology of Hope PDF Author: Henri Desroche
Publisher: Routledge & Kegan Paul Books
ISBN:
Category : Hope
Languages : en
Pages : 209

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Book Description
This book focuses on hope as a religious phenomenon, as the inspiration for various kinds of millenarianism, their cults of possession and utopian experiments. Drawing in particular on anthropology and the sociology of religion, the author presents a survey of millenarianism in many cultures, including Judaism, Islam and the early Christians. He also considers more recent millenarianisms such as the Fifth Monarchy Men, the Mormons, the Doukhobors and 'Black Messiah' movements in the Third World. He goes on to indicate the relationships between revolutionary ideologies and religious messianism, and points to the contrast between older movements, which were predominantly religious, and more recent forms of millenarianism, which tend to be social in character. He stresses, however, that both have or had a common aim -- the achievement of a perfect society.

The Netherlandish Image After Iconoclasm, 1566-1672

The Netherlandish Image After Iconoclasm, 1566-1672 PDF Author: Mia M. Mochizuki
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 399

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Book Description
Debunking the myth of the stark white Protestant church interior, this innovative book draws on art history, reformation history and theology to explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age. Lavishly illustrated with color photographs of many objects never before published, this study identifies a previously overlooked aspect of iconoclasm: while acknowledging its destructive force, Mochizuki also discloses its generative power and the remarkable creativity it unleashed.

From Late Antiquity to Early Byzantium

From Late Antiquity to Early Byzantium PDF Author: Vladimír Vavřínek
Publisher:
ISBN:
Category : Byzantine Empire
Languages : de
Pages : 255

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Book Description


Striking Power

Striking Power PDF Author: Edward Bleiberg
Publisher: Pulitzer Arts Foundation
ISBN: 9780997690194
Category : Art
Languages : en
Pages : 80

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Book Description
Striking Power--the very first exhibition and publication to explore the history of iconoclasm in ancient Egyptian art--is an in-depth examination of the widespread campaigns of targeted image destruction that periodically swept through ancient Egypt, driven by political and religious motivations. Focusing on the legacies of pharaohs Hatshepsut (reigned c. 1478-58 BCE) and Akhenaten (reigned c. 1353-36 BCE), as well as the destruction of objects in Late Antiquity, the book pairs damaged works, from fragmented heads to altered inscriptions, with undamaged examples. In ancient Egypt, the deliberate destruction of objects--a nearly universal practice that continues in our own day--derived from the perception of images not only as representations but also as containers of powerful spiritual energy. Considering this historical phenomenon, Striking Power raises timely questions about the power of images and the ways in which we try to contain them.