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Spanish Horror Film

Spanish Horror Film PDF Author: Antonio Lazaro-Reboll
Publisher: Edinburgh University Press
ISBN: 0748670629
Category : Performing Arts
Languages : en
Pages : 256

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Book Description
An original new study of Spanish horror film.

Spanish Horror Film

Spanish Horror Film PDF Author: Antonio Lazaro-Reboll
Publisher: Edinburgh University Press
ISBN: 0748670629
Category : Performing Arts
Languages : en
Pages : 256

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Book Description
An original new study of Spanish horror film.

Spanish Popular Cinema

Spanish Popular Cinema PDF Author: Antonio Lázaro Reboll
Publisher: Manchester University Press
ISBN: 9780719062834
Category : Performing Arts
Languages : en
Pages : 260

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Book Description
Spanish Popular Cinema is the first European language work to focus exclusively on this neglected aspect of Spain's film history. Moving from the 1930s to the present, the contributors to this book provide a diverse collection of essays that reassess some of the forgotten and critically overlooked works of Spanish popular cinema.

A Companion to the Horror Film

A Companion to the Horror Film PDF Author: Harry M. Benshoff
Publisher: John Wiley & Sons
ISBN: 1119335019
Category : Performing Arts
Languages : en
Pages : 608

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Book Description
"Offers a critical survey of the art and practice of horror movies covering everything from craft and technique, historical developments, and modern-day trends, to broader topics opening onto the socio-political dimensions of the genre. The volume begins with essays devoted to the theoretical methodologies used to study the genre, from cognitive and philosophical approaches, through audience reception and psychoanalysis, to those approaches that examine gender, sexuality, race, class, and (dis) ability in relation to the horror film. Subsequent sections cover horror film aesthetics, the history of the genre, and specific subjects including distribution and the relationship between horror, art house movies, and the documentary impulse."--Provided by publisher.

Haunted Families and Temporal Normativity in Hispanic Horror Films

Haunted Families and Temporal Normativity in Hispanic Horror Films PDF Author: Charles St-Georges
Publisher: Lexington Books
ISBN: 1498563368
Category : Social Science
Languages : en
Pages : 216

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Book Description
This book examines the interactions between ghosts and families in three recent horror films from the Spanish-speaking world. It explores the ways in which horror films can serve to reinscribe or subvert hegemonic epistemologies of race and sexuality by manipulating the temporal framework in which intersectional subjectivities are articulated.

Tracing the Borders of Spanish Horror Cinema and Television

Tracing the Borders of Spanish Horror Cinema and Television PDF Author: Jorge Marí
Publisher: Routledge
ISBN: 1351858505
Category : Social Science
Languages : en
Pages : 282

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Book Description
This critical anthology sets out to explore the boom that horror cinema and TV productions have experienced in Spain in the past two decades. It uses a range of critical and theoretical perspectives to examine a broad variety of films and filmmakers, such as works by Alejandro Amenábar, Álex de la Iglesia, Pedro Almodóvar, Guillermo del Toro, Juan Antonio Bayona, and Jaume Balagueró and Paco Plaza. The volume revolves around a set of fundamental questions: What are the causes for this new Spanish horror-mania? What cultural anxieties and desires, ideological motives and practical interests may be behind such boom? Is there anything specifically "Spanish" about the Spanish horror film and TV productions, any distinctive traits different from Hollywood and other European models that may be associated to the particular political, social, economic or cultural circumstances of contemporary Spain?

Spanish Horror Film

Spanish Horror Film PDF Author: Antonio Lazaro-Reboll
Publisher: Edinburgh University Press
ISBN: 0748636404
Category : Performing Arts
Languages : en
Pages : 256

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Book Description
Spanish Horror Film is the first in-depth exploration of the genre in Spain from the 'horror boom' of the late 1960s and early 1970s to the most recent production in the current renaissance of Spanish genre cinema, through a study of its production, circulation, regulation and consumption. The examination of this rich cinematic tradition is firmly located in relation to broader historical and cultural shifts in recent Spanish history and as an important part of the European horror film tradition and the global culture of psychotronia.

Spanish Horror Films

Spanish Horror Films PDF Author: Source Wikipedia
Publisher: University-Press.org
ISBN: 9781230554013
Category :
Languages : en
Pages : 42

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Book Description
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (films not included). Pages: 41. Chapters: The Orphanage, 28 Weeks Later, REC 2, The Others, The Devil's Backbone, Let Sleeping Corpses Lie, The New Daughter, Pieces, Return of the Blind Dead, Night of the Seagulls, Fermat's Room, Hell of the Living Dead, Horror Express, The Nun, Fragile, Tras el cristal, Open Graves, Monster Dog, The Blood Spattered Bride, Minotaur, Anguish, Who Can Kill a Child?, La residencia, Tombs of the Blind Dead, Exorcismus, Web Cam, Julia's Eyes, Flatmate, Los Ojos Azules de la Muneca Rota, Beneath Still Waters, Romasanta, H6: Diary of a Serial Killer, Secuestrados, Al final del espectro, Nightmare City, The Ghost Galleon, Sexykiller, Rottweiler, Moscow Zero, The Fury of the Wolfman, The Nameless, Slugs, Hatchet for the Honeymoon, Panic Beats, Arachnid, Horror Rises from the Tomb, Licantropo, The Witch Affair, La cruz del diablo. Excerpt: The Orphanage (Spanish: ) is a 2007 Spanish-Mexican horror film and the debut feature of Spanish filmmaker J.A. Bayona. The film stars Belen Rueda as Laura, Fernando Cayo as her husband, Carlos, and Roger Princep as their adopted son Simon. The plot centers on Laura, who returns to her childhood home, an orphanage. Laura plans to turn the house into a home for disabled children, but a problem arises when she and Carlos realize that Simon believes he has a masked friend named Tomas with whom he will run away. After an argument with Laura, Simon is found to be missing. The film's script was written by Sergio G. Sanchez in 1996 and brought to the attention of Bayona in 2004. Bayona asked his long-time friend, director Guillermo del Toro, to help produce the film and to double its budget and filming time. Bayona wanted the film to capture the feel of 1970s Spanish cinema; he cast Geraldine Chaplin and Belen Rueda, who were later praised for their roles in the...

Sex, Sadism, Spain, and Cinema

Sex, Sadism, Spain, and Cinema PDF Author: Nicholas G. Schlegel
Publisher: Rowman & Littlefield
ISBN: 1442251166
Category : Performing Arts
Languages : en
Pages : 232

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Book Description
From 1968 to 1977, Spain experienced a boom in horror-movie production under a restrictive economic system established by the country’s dictator, Francisco Franco. Despite hindrance from the Catholic Church and Spanish government, which rigidly controlled motion picture content, hundreds of horror films were produced during this ten-year period. This statistic is even more remarkable when compared with the output of studios and production companies in the United States and elsewhere at the same time. What accounts for the staggering number of films, and what does it say about Spain during this period? In Sex, Sadism, Spain, and Cinema: The Spanish Horror Film, Nicholas G. Schlegel looks at movies produced, distributed, and exhibited under the crumbling dictatorship of General Franco. The production and content of these films, the author suggests, can lead to a better understanding of the political, social, and cultural conditions during a contentious period in Spain’s history. The author addresses the complex factors that led to the “official” sanctioning of horror films—which had previously been banned—and how they differed from other popular genres that were approved and subsidized by the government. In addition to discussing the financing and exhibiting of these productions, the author examines the tropes, conventions, iconography, and thematic treatments of the films. Schlegel also analyzes how these movies were received by audiences and critics, both in Spain and abroad. Finally, he looks at the circumstances that led to the rapid decline of such films in the late 1970s and early 1980s. By examining how horror movies thrived in Spain during this decade, this book addresses a sorely neglected gap in film scholarship and also complements existing literature on Spanish national cinema. Sex, Sadism, Spain, and Cinema will appeal to fans of horror films as well as scholars of film history, European history, genre studies, and cultural studies.

Horror International

Horror International PDF Author: Steven Jay Schneider
Publisher: Wayne State University Press
ISBN: 9780814331019
Category : Performing Arts
Languages : en
Pages : 384

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Book Description
A close look at horror films from around the world, drawing attention to neglected social, cultural, and ideological aspects of the horror genre in international cinema.

A Companion to Spanish Cinema

A Companion to Spanish Cinema PDF Author: Jo Labanyi
Publisher: John Wiley & Sons
ISBN: 1119170133
Category : Performing Arts
Languages : en
Pages : 664

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Book Description
A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in–depth textual analysis of specific films Explores Spanish cinema s cultural, artistic, industrial, theoretical and commercial contexts pre– and post–1975 and the notion of a national cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non–fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically–driven section designed to stimulate innovative research