Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 1588397475
Category : Art
Languages : en
Pages : 200
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Book Description
This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career. Long celebrated as the quintessential New England regionalist, Winslow Homer (1836–1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This groundbreaking publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas—in particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career—revealing a lifelong fascination with struggle and conflict. The book also includes Homer’s depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist’s keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer’s work resonates with the challenges of the present day.
Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 1588397475
Category : Art
Languages : en
Pages : 200
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Book Description
This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career. Long celebrated as the quintessential New England regionalist, Winslow Homer (1836–1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This groundbreaking publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas—in particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career—revealing a lifelong fascination with struggle and conflict. The book also includes Homer’s depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist’s keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer’s work resonates with the challenges of the present day.
Author: Margaret C. Conrads
Publisher: Hudson Hills
ISBN: 9781555950507
Category : Art
Languages : en
Pages : 219
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Book Description
68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Albert Ten Eyck Gardner
Publisher:
ISBN:
Category : Nationalism and art
Languages : en
Pages : 262
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Book Description
The life. times, and works of the great American painter.
Author: Caroline M. Welsh
Publisher: Syracuse University Press
ISBN: 9780815605195
Category : Art
Languages : en
Pages : 240
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Book Description
No other Wilderness region in the country has served America's artists for so long or with so many subjects as the Adirondacks. In a volume that covers nearly three hundred years of artistic achievement, Adirondack Museum curator Caroline Mastin Welsh includes essays that were originally presented at the 1995 North American Print Conference. Comprehensive in scope and lavishly illustrated, the book embodies the artistic spectrum, from the documentary to the aesthetic. From Winslow Homer, Dr. Arpad Gerster, and French naturalist Jacques Gerard Milbert to Canadian artist David Milne, Prints and Printmakers of the Adirondacks underscores the importance of the wilderness landscape in American art and culture and the role that prints have played to document, promote, and celebrate the Adirondacks.
Author: United States. Congress. House. Committee on Appropriations. Subcommittee on Dept. of the Interior and Related Agencies
Publisher:
ISBN:
Category : United States
Languages : en
Pages :
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Book Description
Author: Bailey Van Hook
Publisher: Penn State Press
ISBN: 9780271024790
Category : Social Science
Languages : en
Pages : 304
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Book Description
Images of women were ubiquitous in America at the turn of the last century. In painting and sculpture, they took on a bewildering variety of identities, from Venus, Ariadne, and Diana to Law, Justice, the Arts, and Commerce. Bailey Van Hook argues here that the artists' concepts of art coincided with the construction of gender in American culture. She finds that certain characteristics such as &"ideal,&" &"beautiful,&" &"decorative,&" and &"pure&" both describe this art and define the perceived role of women in American society at the time. Most late nineteenth-century American artists had trained in Paris, where they learned to use female imagery as a pictorial language of provocative sensuality. Van Hook first places the American artists in an international context by discussing the works of their French teachers, including Jean-L&éon G&ér&ôme and Alexandre Cabanel. She goes on to explore why they soon had to distance themselves from that context, primarily because their art was perceived as either openly sensual or too obliquely foreign by American audiences. Van Hook delineates the modes of representation the American painters chose, which ranged from the more traditional allegorical or mythological subjects to a decorative figure painting indebted to Whistler. Changing American culture ultimately rejected these idealized female images as too genteel and, eventually, too academic and European. Angels of Art is the first study to discuss the predominance of images of women across stylistic boundaries and within the wider context of European art. It relies heavily on contemporary sources both to document critical responses and to find intersecting patterns in attitudes toward women and art.
Author: 
Author: William Howe Downes
Author: 